Thanks to Simeon Lumgair of Quirky Motion for this teaser trailer for the KAA’s summer residency at the Korean Cultural Centre, 12 – 30 August 2014.
KAA member Shin Yoon Seok is performing at the Seoul Arts Center Concert Hall, South Korea on 26 July 2014 at 8pm. The programme will include:
Saint-Saëns: ‘Carnival of the Animals’
with Seoul Amore Philharmonic Orchestra
Conductor: Hee Tae Seo (Music Director in Korean Drama ‘Beethoven Virus’)
Pianists: Yoon-Seok Shin & Insun Kim
Narrator: Yoo Sung Jun (Comedian/Gagman)
(click on the below poster for a full-sized version)
Four KAA members, Ji Eun Jung, Sung Min Jeon, Hye Lim Kim and So Hyun Park, will be presenting a Korean Music Night on 5 June in Sofia’s National Palace of Culture, in an initiative promoted by the Embassy of the Republic of Korea in Bulgaria.
Cellist Catherine Lee will be accompanied by pianist Minjung Baek in a lunchtime duo recital at Blackheath Hall (Trinity Laban Conservatory of Music), 9 June 2014 at 1.10pm. The exact venue is The Recital Room, Blackheath Halls, 23 Lee Road, London SE3 9RQ
No tickets are required.
Brahms Cello Sonata No.2 in F Major, Op.99
Rachmaninov Cello Sonata in G minor.
Blackheath Halls is a wonderful listed building and London’s oldest purpose built concert hall, located in South East London.
Train: Overground trains to Blackheath station.
By DLR: The nearest Docklands Light Railway station is Lewisham. Connections to Blackheath Halls can be made by Train or Bus.
By Bus: Routes 54, 89, 108, 202, 380, 386, N53 and N108 all stop in Blackheath.
Details of the final performance linked to Yong Min Cho’s Asia House residency have been announced. Tickets can be reserved via the Asia House website. Also below are details of a subsequent performance in Venice on 18 June.
Bridging Colours – White
Dance and Music Performance
Asia House | 63 New Cavendish St | London | W1G 7LP
13 June 2014, 6:45pm – 8:00pm
As part of his residency at Asia House, choreographer Yong Min Cho will present a special collaborative venture with Korean Dance Company Pyung-In and musical ensemble, Nol Eum Pan. The performance will have an emphasis on the colour white, as this is one of the five most important colours in Korean tradition and life, which consists of white, black, red, blue and yellow.
Yong Min Cho (UK/South Korea/Italy) Artistic director of A+M (Asia Movement), began his studies at the dance theatre school of Paolo Grassi (Picolo Teatro). After training in Milan, he moved to Venice to join the then named Academia I’sola Danza, where he worked with Carolyn Carlson. Since 2005, he has been living and working in London whilst touring in Italy and South Korea. A+M is a new platform for East-West cultural exchange to research and explore potential ideas that cross the rich and diverse traditions of Eastern Dance within a contemporary Western context.
The performance is in collaboration with the Fondazione Giorgi Cini onlus, Venice, and Antiruggine, Italy.
Find more information about Yong Min Cho on his website: www.ymcho.co.uk
Partner for this Summer dance programme
Nol Eum Pan
Korean Traditional Music Team
And the Venice performance (click on the poster for a full-sized version):
KAA member Shin Yoon Seok is giving a piano recital at the prestigious Sejong Art Center in Seoul on 26 May 2014 at 7:30pm. The programme is as follows:
|Haydn||Piano Sonata No 47 in B minor, Hob XVI:32|
|Chopin||Nocturne in B major, Op 32 No 1
Nocturne in C# minor, Op post
|Mozart||10 Variations on “Unser dummer Pöbel meint” in G major, K455|
|Schubert||Fantasie in C major, D760 (Wanderer)|
An exhibition by Artists of Kew Studio
4th – 9th November 2013
Private View: 4th November 6:30 – 9:00 PM
Piers Feetham Gallery
475 Fulham Road, London SW6 1HL
(Opening Hours: Tue. – Fri. 10am – 6pm Sat. 10am – 1pm)
The art studio as we know it has a history that stretches back to the Middle Ages. At its most basic, the art studio was, and still is, a workshop in which artists not only produce their own work but also work with a small number of students to train and pass skills onto them. To the artists and students who have the luxury of such a place, though, it is so much more. A studio gives its artists a physical base, an artistic focus and a surrounding that encourages ideas and physical work to flourish. In fact, it has been said that a studio is not just a place, but a state of mind.
The eight artists exhibiting here are resident artists at Kew Art Studio in London. Kew Art Studio is one of an increasingly rare resource for artists – an affordable space which houses resident artists, open studio space for non-resident artists, etching and screen printing studios and classes. One of the most exciting aspects of a place like Kew Studio is the diversity of skills, expertise and importantly, ideas that come together in one space. As artists, it is this exchange of ideas that nourishes us and gives rise to fresh thinking and ever-evolving work. We are painters, weavers, photographers, mosaic and collage artists. The work is diverse, but born of the same energy and incubated in the same safe place.
“Inspiration does exist but it must find you working” Pablo Picasso
Erin Pizzey | Fiona Bell
Jacqueline Hall | Kim Shaw
Maureen Finucane | Seraphine Tierney
Soon Yul Kang | William Jefferies
Tube: Fulham Broadway Bus: 14, 21, 414
PARKING: There is underground car parking in the Fulham Broadway Centre and in Chelsea Football Ground directly opposite the Gallery. Please note that all on-street parking in this part of Fulham is “Residents only” between 6.30 and 8pm.
Here is the official catalogue of the 합 Collaboration exhibition. Click on the image to enlarge:
Here is the programme for the opening performance on 28 August. Please RSVP to email@example.com.
1. ‘Petal – like’ (꽃잎처럼)
Poem by Hye Kyung Park, Sabrina Park Kim (Piano Music), Chang Gyun Woo (Image)
2. Pochagi (보자기)
by Hye Lim Kim (Taegŭm and electronics)
Pochagi is Hye Lim Kim’s first elecroacoustic composition in which she uses elements of Korean traditional music. Pochagi is a Korean patchwork cloth that can be used as a wrapping cloth, and her piece explores the concept of Pochagi, extended to mean a container that can capture the diverse sounds of Korea music. The basic material for the piece is the Korean traditional bamboo flute, the Taegŭm. The acoustic instrument represents, to her, the characteristic Korean sound: the instrument is foregrounded to produce impromptu melodies that descend in various ways from traditional repertories. Meanwhile, the electronic sounds function as a magnifying glass, reflecting the minute layers of sound. In this piece, she attempts to bridge several dichotomies inherent in the flute and in traditional music – complexes of purity / noise, tradition / modernity and delight / sadness.
3. Bi (‘비’ 悲)
by Hyun Su Song (Haegŭm) & Eun Sol Lee (Dance)
This piece of music was composed in 1980 by the Korean master Young Jae Kim. The composition is a sorrowful melody from the provinces of Yeongnam, Honam and the north western provinces of Korea. It is folk music and performed with an Eotmori rhythm which gives the piece an atmosphere of lament and regret. The accompanying solo music for Haegŭm is strongly improvised in places. The accompanying dance portrays a woman’s heart towards a man who is facing death, praying that his pain and sorrow will vanish and that his life on the other side will be filled with eternal happiness. To lighten his path towards the other world a dance move called ‘ji jun’ and the beautiful, yearning sound of the Haegŭm was used in combination to create the piece.
4. POINTS, LINES, CIRCLES
Kayagŭm and Piano Duo with electronic sound (sound-escape) by Cho Rong Park (Composer), performed by Ji Eun Jung (Kayagŭm), Ko Eun Choi (Piano), Julian Toha (Guest Media Artist)
Grandmother, mother and daughter. The mother does not exist without her grandmother, and the daughter does not exist without her mother. The past is inseparable from the future. The future is projected from the past. The new is born of the momentum of the old. Moments gather to compose timelines that conjoin and form the wheels of history. Points, lines and circles are symbolic elements that capture the essence of this idea. They are sound-images used in this piece to express the interaction of these elements in history. ‘Points’ in time gather to form ‘lines’ in time, and these lines morph into ‘circles.’
5. Ko San (‘고산’)
by KAYA (Kayagŭm – Ji Eun Jung; Guitar – Sung Min Jeon) & Hyun Su Song (Haegŭm)
‘Ko San’, which means ‘Solitary Mountain’ was composed by Jin Goo Lee for three kayagŭm. In this arrangement by Ji Eun Jung it is performed on kayagŭm, guitar and haegŭm.
6. East Fantasia
by Tae Hwan Roh (Composer), performed by KAYA & Ko Eun Choi (keyboard), Jin Kyung Park (flute), Hye Jin Yu (violin), So Jin Kim (cello), Yun Shin (clarinet), Jea Hong Shin (Oboe)
‘East Fantasia’ is a piece which combines two distinct musical cultures: Korean traditional music and Western music. This piece was composed to display the sound of creation: a place of purity, where there is passion for life. As the piece begins with the foundation of the pure, elemental and spiritual, the peacefulness progresses to express stronger passion through the rapid tempo and combination of the Kayagŭm and western instruments. This piece provides beautiful harmony and tempo.
7. Piano style
(K-pop music & Dance performance) by Han Bit Cho (Piano), Ae Jin Han (Choreographer), Se Young Jeong and Hyun Seok Kwon (Percussion), 5 Dancers.
In this piano version, K-Pop Psy’s “Gangnam Style” is reinterpreted through media and a wide variety of dance vocabularies such as contemporary dance, ballet and b-boy dance. Part of the popularity of K-Pop Psy’s “Gangnam Style” is owed to Psy’s singular horse dance, one of the song’s representative elements that have united global audiences. Dancing bodies can be regarded as a signifier of non-verbal communication, and a range of ethnicities can enjoy it without understanding different languages. This performance is inspired by the Korean musical dance-theatre production “Ballerina Who Loves B-Boy” and set to traditional Korean instrumentation with piano. Choreographer Ae Jin Han combines movement with the text of the dance-theatre and meaning in the joyful in Psy’s “Gangnam Style.”
8. Hap (‘합’ Collaboration)
by Jung Hyun Choi (Percussion), Jeong Min Moon (Painting), Shzr Ee Tan (Piano), Eun Sol Lee (Dance), Se Young Jeong & Hyun Seok Kwon (Percussion).
‘합’ Collaboration is collaborative performance with Korean percussion, piano, painting and dance. In this performance, Jeung Hyun Choi and Dr. Shzr Ee Tan will be improvising with two Samulnori rhythms: tasurum and kutkori. While they are playing, artist Jeong Min Moon commences Dripping Work, based on American abstract artist Jackson Pollock’s Dripping, and the audience will be invited to participate. When the kutkori rhythm starts, the dancer joins the performance and her foot is used as a paint brush, creating a new collaborative art work.
Date: Monday 3 June 2013, 7:30-8:30 pm.
Venue: Lucas Lecture Theatre [formerly G2], SOAS Main Building.
Tickets: Free admission. Guests are admitted from 7 pm to be seated for 7.30pm
This is an attractive and dynamic drumming concert offered by SOAS Korean Drumming Society this cool summer.
Our society performs samulnori, a contemporary genre of percussion music that developed from the music of traditional Korean percussion bands and which now forms a significant aspect of the musicscape of today’s Korea. Performers use the four core percussion instruments: two gongs – the small kkwaenggwari and the large ching, and two drums – the hourglass-shaped changgo and the barrel-shaped buk. Based at SOAS for more than ten years, we run a weekly practice session, organize regular instrumental workshops, and have performed at various cultural events.
For this concert, our society will play various styles ranging from taegum sanjo, (accompanied by changgo), to a samulnori-fusion improvisation for piano and changgo, to sŏnban (a form of changgo-playing from a standing position), to standards of the samulnori repertoire. These will be presented by Korean music specialist and the founder of our group, Prof. Keith Howard (drum accompaniment, changgo), and our instructor and the founder of international Korean traditional percussion group ‘Dulsori’, Jeung Hyun Choi (kkwaenggwari, changgo). Also performing are: Hyelim Kim (taegum), Dr. Shzr Ee Tan (piano, changgo, buk), Suji Kim (sŏnban, changgo), Ruard Absaroka (changgo, buk), Seyoung Jeong (changgo), Hyunseok Kwon (changgo), Inyoung Pak (changgo), and Kazumi Taguchi (changgo, ching).
Welcome to Cool Beat of Korea!
Jieun Jung will perform Roh Tae-hwan’s “Far East Calm” Suite for Gayageum and Orchestra with Thames Philharmonia Orchestra conducted by Byung-yun Yu.
Date: Saturday, 15th June 2013, 7.30pm
Venue: Landmark Arts Centre, Ferry Road, Teddington, TW11 9NN
Ticket: £12, Concession £8
Box Office: 0208 977 7558
- Opening Reception: Wednesday 23 January 2013, 6 – 8 pm
- Exhibition: 23 January – 18 February 2013
- Venue: MOKSPACE | 33 Museum Street | London | WC1A 1LH
- Opening Hours: 11am – 6pm, Every day
On viewing Soon Yul Kang’s woven tapestries, the observer is immediately calmed by the still, simplicity of her work. Each of us has a memory of some quiet, meditative space once experienced, but crowded out by our busy lives. Her work places us immediately in that personal space, where seeing and thought come together. There is a universal, Zen-like, character to her tapestries, evoking the pure essence of landscapes, bringing us back to our centre.
The woven form adds a subtle counterpoint, focusing our attention but not distracting. Suggesting the hues and texture of soft tree bark, it reminds us of the innocent curiosity of our childhood, touching, exploring, experiencing. Together with the imagery, we are each led to our own inner place of calm and truth, and in doing so through the same medium, affirm the commonality of our experience.
Beyond this is the artist’s skill. The play of colour and textures, the careful choreography of thread, each lost in the whole but nevertheless essential. The raw physical nature of the work reinforces the meditative theme, as if the artist’s own creative contemplation has been knotted within the tapestry. In her collage work, she expresses these themes through a different medium, which in its coarseness allows her to realise new forms.
A deeply personal note is added through inscribing the word ‘father’ on each piece of cloth as if in homage to a lost loved one, while yin and yang is expressed through the juxtaposition of contrasting two colour elements. This adds a perceptible weight to the work, reminding and connecting us with the artists own still place.
English Pocket Opera Company presents unique ‘promenade’ performances of Engelbert Humperdinck’s Hansel and Gretel. The production is a collaboration with the BA (Hons) Performance Design and Practice course of Central Saint Martins College of Art & Design (part of University of the Arts London), including KAA member Seyoung Jeong (정세영).
From English Pocket Opera Company’s website:
Come and join Hansel and Gretel on their journey into the fairytale forest as they meet a cuckoo, a ‘sandman’ and triumph over Rosey Lickspittle, the grimmest of all witches who wants to eat them after turning them into gingerbread. A ‘promenade’ operatic adventure for all the family the like of which you will never have had before. EPOC’s cast of professional soloists will lead you round Central St. Martin’s spectacular new building at Kings Cross (including the Platform Theatre, Studio Theatre and ‘Street’) through 8 scenes in 8 different locations designed by 8 up-and-coming young designers. Come and join the adventure!
Eight designers from Central St Martins were each commissioned to design one scene in the production, taking charge of the set, costumes and lighting design. KAA member Seyoung Jeong (정세영) is one of those designers, and is responsible for the first of the scenes.
Dates: Tuesday 22 – Sunday 27 January 2013
Schools Performance: Tue 22 – Fri 25 Jan, 1.30
Performance: Tue 22 – Fri 25 Jan, 6.30
Family Performance (Incl Free Art Workshop for kids 12.00 – 1.00): Sat 26 & Sun 27 Jan, 1.30 and 4.30
Tickets: Adult £12, Concessions £8, Family ticket (2 adults plus 2 children or 1 adult plus 3 children) £35
Audience members will be asked to walk from scene to scene.
The performance will last a maximum of 90 mins. It is suitable for wheelchair users.
Venue: Platform Theatre, Central Saint Martins College of Arts and Design, University of the Arts London, Handyside Street, King’s Cross, London N1C 4AA.